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Free Download Of “Mary,” My Christmas Song

UPDATE NOVEMBER 2014 — BRAND NEW VERSION! Available on Spotify HERE, iTunes HERE // In the spirt of Christmahanakwanzakuh (but mostly Christmas), I've just completed a brand new remix of my song "Mary." If you aren't familiar with this song, it's a story I wrote for Dom & Jane's Warm and Fuzzy Christmas Show for Mix 100.3 FM in Denver. W&F is a special radio morning show D&J do every year where they bring in local Denver artists to sing holiday music live on the air. It's always a lot of fun, and a great event. In 2004, my friend Dom asked me to write an original Christmas song for the event, and I wanted to do something from a different angle. I racked my brain for weeks, and finally came up with something I thought was unique. Most people know the nativity story, with Mary and Joseph (and Jesus, of course), and I know there have been a few really great songs written from Mary's perspective, but not any that I knew of from Joseph's. No matter what day or time you live in, marrying a girl who's gotten pregnant by someone other than you is a pretty noble thing to do. I like to think that 'ol Joe must have been pretty smitten with Mary. "Mary" by Josh Allan
Here in the cold Hardly alone Beautiful girl, dead to the world And I'm next to her Rise and you fall Watching it all Baby inside, always reminds Never was mine I don't suppose That anyone knows Why someone like you Would care about me, Mary Star through the clouds With white falling out Snow on the ground It's Christmastime now If just in this town Light of the world At least to this boy and girl We laughed and we cried This barnyard beside Our beautiful boy Don't look down, Mary I need you now, Mary I know even by now It's all tired out Gotta let go, I'm the luckiest Joe I know
It's been a few years since I released this song, so I wanted to do a remix. You can download it here, if you like (right click, Save Linked File, etc.). Artwork here. Happy holidays! //

California: The Edge Of Nothing (Except Maybe Sanity)

I won't lie: part of me moved to Los Angeles because I have an illness: it's called "I-need-to-be-on-the-edge-ness-ingytis." Apparently, there are innovators, early adapters, early majority, late majority, and boring/lazy people -- I mean "laggards" -- out there. Well, I try to hit that spot right between innovator and early adapter, and tell myself that I'd be a full-fledged innovator had I been born with a trust fund. If I have an addiction, it is for the new, the fresh, the original, the avant-garde, the revolutionary... the "cutting edge," as they say. So I figure you can't go any closer to the edge than California. We're just one big earthquake away from falling OFF forgoodnessake. But I'm starting to think the "edge" is disappearing. Well, maybe not disappearing altogether, but more... dissipating, scattering, dispersing. Of course I'm not speaking of a physical edge, but that progressive, mental, ideological edge that keeps humanity in motion. It's been widely accepted for a long time that the United States' coasts, and the cities of New York and Los Angeles in particular, set the stage for the future. But I'm just not buying it anymore. Technology has blurred lines between the instigator and consumer to such a degree that it's nearly impossible to tell where one begins and the other ends. The internet, magazines, blogs, mega-coporations, MySpace, bookstore chains, email, and the ease of global travel have allowed for the instantaneous dissemination of not only information, but of passions, taste, and style. We export and import culture with the ease of a mouse click. We are rapidly becoming each other, and as our boundaries fade, progression glows from everywhere -- no longer relegated to the simplicity of geographical location. You can plainly see it in music: where bands used to only be "from" major cities and markets, now we find that it doesn't really matter where one originates -- it only matters if you're good enough (and, probably, lucky enough). To an extent, the playing field has been leveled, in a profound, postmodern sense, and everyone is participating. You can also see it in universities, in churches, in coffeehouses... Welcome to The New Edge: now playing everywhere. //

This Is How It Works

"This is how it works You're young until you're not You love until you don't You try until you can't You laugh until you cry You cry until you laugh And everyone must breathe Until their dying breath
No, this is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood And walking arm in arm You hope it don't get harmed But even if it does You'll just do it all again" --On The Radio, Regina Spektor
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“Celebrate, Remember A Year In The Life Of Friends”

*ESPECIALLY FOR MUSICAL THEATER / POP CULTURE JUNKIES* I just watched "Rent" the other night on DVD. I very much enjoyed the film, but something about the opening scene and thematic elements seemed eerily familiar to me... And then it hit me. It's "Friends." Seriously, think about it -- you've got a number of friends all living/congregating in NYC lofts, dealing with complex inter-relationships with each other, and even an initial character whose girlfriend/wife left him for another woman...!? Coincidence??? Who knows -- I can't find anything online about this theory, but I thought it was pretty interesting. I originally speculated that the creators of "Friends" borrowed some of the concepts from the musical, but the first episode of "Friends" was aired on September 22, 1994 whereas Rent's first dress rehearsal wasn't until January 24, 1996, so maybe it's the other way around...? Maybe Jonathan Larson was a big fan of the TV show and wanted to bring in some of that Greenwich Village feel to his production... or maybe it's really just coincidence. Just seems a bit strange... If you know anything about this, please leave a comment below! //