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The Courage Of Detroit

On Friday my lovely Mitten-native wife brought home a black and white copy of an article out of a recent issue of Sports Illustrated. It's worth noting that we are probably one of the least sporty-inclined couples you will ever meet, so this is no small feat. In the frosty winter of 2001 I made my first of what's become a yearly trek to Detroit. I actually don't actually remember if it was cold that season or not, but when you're going to Michigan in December, it's a pretty safe bet. It was quite a Christmas; I met my future extended in-laws for the first time, got my first taste of exquisite Olga's snackers, and received a terrificly trashy romance novel called Forbidden Fruit from Allison's grandma as a present (seriously... it was awesome). Over the last eight years, a little ranch house in a small suburb outside of Motor City has become one of the most consistent addresses I've been attached to. The recent hardships of Motown have been pretty well-documented. From the failings of the mayor to the blunders of Big 3 executives to the historic, nearly inconceivable, 0-16 record of the Lions... Detroit has slowly sunk into its status of America's favorite bastard-child city, the metropolis we love to mock and try to forget. But I am wondering... why are we so eager to bash one of our own? How much of our rich American heritage was born in Detroit? Let's just take music and cars -- without this singular city, cars would not exist and music would be missing a large chunk of its soul. Concerning my current home: where would Los Angeles be without our beloved cars? I suppose you could say we like music here too, but we LOVE cars. Have you been on the 405 lately? We live in the damn things! For whatever it's worth, I think its time we remember a fellow American city that's fell upon some pretty hard times. The SI article I mentioned at the beginning was written by Mitch Albom, a native Detroiter and a fantastic writer. It's a few pages long but well worth your time. Check it out here:
THE COURAGE OF DETROIT
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Playing For Change: Peace Through Music

I don't suppose there are too many things better to post on Christmas Eve than something about peace. My friend Greg recently turned me on to this documentary, made by Mark Johnson, called "Playing For Change: Peace Through Music." I don't want to ruin all the fun by telling you the story here; take 18 minutes or so and watch this video above... you'll be glad you did. (Get a sample song, "Stand By Me," below.) Happy holidays my friends! PBS chat transcript is here. Playing For Change website is here. //

Thoughts On Oil Addiction

Now that gas prices are "coming down" (yes, we feel just GREAT about $3.75/gallon... what!?) I don't sense the same urgency in the American populace to fix this problem that existed when it was $5. Of course, this placation was expected by most and predicted by many, but that doesn't change the fact that there is still a problem out there that was never solved. And we shouldn't be fooled: it's not fixed now just because we are ignoring it. I fear we are addicted to foreign oil, and maybe just oil in general. But in the words of the immutable LeVar Burton, you don't have to take my word for it! Please check out some or all of the links below. // T. Boone Pickens, the founder and chairman of BP Capital Management (which manages over $4 billion in energy-oriented investment funds) has created the Pickens Plan, which aims to develop clean energy solutions. Here's a great article from one of my favorite contemporary revolutionaries, Dr. Ron Paul: Big Government Responsible For High Gas Prices Newt Gingrich has also thrown his thoughts into this discussion, and although I'm not convinced that more drilling will be a long-term solution, it does seem like a reasonable band-aid, considering our current economic challenges. If you're a regular reader, you know I'm a big fan of Chris Martenson; he's a very level-headed proponent of financial literacy. Check out his very important explanation of what "peak oil" really is -- apparently, I had no idea! In my quest for the truth, I came across a documentary called A Crude Awakening: The Oil Crash. This film is so obviously targeted towards proving its premise -- namely, that there will be an oil crash -- that it's earned a bit of skepticism from me (as I'm sure you've noticed, it is increasingly hard to decipher truth from propaganda). Nonetheless, it is very interesting and quite well-made. There's also an interesting intersection of the "climate crisis" with our oil addiction. Check out WE: There's no question this is a complex issue with many moving parts, but I think we all know that it won't be solved by ignoring it. I know I'm not really offering many, if any, real solutions in this post, but awareness is a good start. //

Tipping Behind The Scenes

It's easy to discount all the things that are happening behind the scenes. In our entertainment-based culture, we tend to only respect the final, glowing, sparkling, gleaming product, free from all blemishes and glitches. We airbrush our photos, we put 7 second time-delays on our "live" radio and television feeds, and we have dress rehearsals for our church services. We want our news packaged into headlines, simple soundbytes to consume or discard. We want our politicians in suits and ties, not gym clothes. Anymore, there have almost become two strictly dichotomized worlds: one for presentation, and one for preparation. Everyday Life has become a TV show. But behind the scenes... that's where the magic happens. I just finished reading Malcom Gladwell's glorious book "The Tipping Point" in which he describes how relatively small things have a tremendous impact in "tipping" social epidemics, from fashion to education to crime. In the first section he describes The Law Of The Few, where a relatively small number of extraordinary people are crucial to kickstarting an epidemic. But I'm starting to wonder if it's those select few, those people that fit into some kind of "behind the scenes" Social or Informational Aristocracy, that actually do most of the world's work, period. When I originally came up with the "behind the scenes" idea for this post, I wanted to write about what I find to be an utterly demoralizing disconnection between how "the masses" seem to perceive reality and what I'd consider to be "actual reality." I am often frustrated by how so many people can be so infinitely clueless as to what's going on in the world around them. Ever met some of these folks? But I don't feel like the gap can be attributed simply to an lack of intelligence; in fact, I think the problem is mostly 1) a shortage of ability to manage one's own life or 2) sheer laziness (or a combination of both). I know that last little rant can make me sound a bit condescending, but actually, I bring this up because I know that people can change. If you want to learn to manage your life, do it. If you want to stop being lazy, do it. Also, I know discussions like this can make me sound like some kind of elitist, but I am not talking about human value, I am talking about human productivity, and that's an important distinction. No matter the reason, the reality is that it's really just a numbers game. At the end of the day, most people are responders, not innovators. We can talk in terms of Rogers' Diffusion of Innovation bell curve, of innovators-to-laggards, if you like... same thing. Here's a nice epidemiology diagram, for your visual jollity: You can see the "learning curve" that sweeps upward and which, by the end, represents the nearly complete diffusion of the phenomena in question. (Everyone feels more intelligent when discussing sociology with big words.) What I know is that there are all of these "things" happening out there in the world: from food crises to economic crises to violent military crises, and most people are content -- happier, even -- knowing that they won't every have to touch these problems with a 30-foot-stick if they don't want to. But for me, these realities hit me like a branch in the face. For me, it means that someone else is controlling my life -- or at least "pulling the strings" and directing aspects of the world I interact in. And I'm not a big fan of that. If you've read Gladwell's book and buy what he says, you simply can't get around the concept that, in terms of "phenomena tipping" at least, some people are simply more important than others. What I wonder is if this mystery also extends into the world's productivity. Are there a select few people pulling the majority of the weight? Does the 80/20 rule apply here? Are 20% of the world's population doing 80% of the work? Is there any way to tell? //

A New Way To Get Music?

The article I'm going to talk about is over a month old, but I just read it for the first time the other day, so 'round these parts (read: my blog) we get to treat it like news. ;-) Now, there are a lot of ways to get music. Some folks buy it from iTunes or some other digital equivalent. Some enjoy the "free-dom" of Limewire or a torrent. Some import CD's they bought way "back in the day" (like, circa 1999). Some listen to radio (AM/FM/XM/WWW). Some frequent the MySpace. "Piracy" has been a music industry buzzword since the days of Napster. It's also been the Industry's blatant and somewhat pathetic scapegoat for the fact that they simply didn't see the "digital age of music" coming. Well, almost a decade has now past since the lovable Shawn Fanning helped incite the music revolution, and the music biz has finally come up with an idea that just might work. If it flies, the thought is that it will preserve the Suit's high-paying executive job, pay the artists, and -- GASP -- maybe even create a workable solution for consumers. The idea, in a nutshell, is to provide consumers with an unlimited supply of music downloads for a monthly fee that will be bundled into their internet service charges. Here's the article that explains it more fully:
Fee For All Warner's New Web Guru
As always, critics already have their guns drawn, but I, for one, am having a hard time coming up with a downside to this agreement. I would GLADLY pay $5/month to get all the music I want, especially knowing that the artists I love would get paid! (Now, if we could only pay the artists fairly, that would really be something, eh?) But, existing within the current system, it's frankly the best idea I've heard in a long time. Am I missing something? //