By the time my new book, Igniting the Invisible Tribe, officially releases in a few short weeks, I will have been working on it for three and a half years. I’m aware that’s not an entirely unusual timeframe in “book-writing time,” but here in “regular-people time” it feels like f-o-r-e-v-e-r.
And it has been quite an adventure.
As mentioned in Part 1, I started the book as a project for grad school. I graduated at the end of 2009, and went into 2010 looking intently for a job to pay back my enormous MBA loans. Between interviews and my first independent consulting client, I spent a lot of time getting the first major draft done. Back then the book was called The Silent Revolution, and most of it was my logical processing through the immense amount of research data I was synthesizing. (I still wonder if I should release some of that content someday; the vast majority of it never made it into the final book.) In the summer of 2010 I started my consulting practice, Strengths Doctors, with some friends from grad school and signed with a literary agent that fall. And, of course, I kept writing. The title got changed to The Mosaic Mind.
The entire year of 2011 I was signed with the aforementioned literary agent and we shopped the book to large traditional publishers. Name a big one, and we likely talked to them. This experience was a great time for learning (and it’s what I’ll talk about more in Part 3). Then, in the spring/summer of 2011 I essentially ended up rewriting the entire book. The manuscript wasn’t as focused or cohesive as I wanted it to be, and although the feedback we were getting was already good, I was becoming clearer and clearer about what I wanted it to say. The title got changed to Igniting the Invisible Tribe.
I never meant to rewrite it all, it just kind of happened that way. If you’re curious about what’s left from the original, I think it’s only Rules #2 and #4 — about building a mosaic and the necessity of change.
At the close of 2011 I very amicably parted ways with the literary agent — large publishers wanted far too much and gave far too little — and set out on my own to find a small- to mid-size publisher. I signed a contract with a great boutique publishing company called A Silver Thread in May of 2012, and the rest, as they say, is history.
Perhaps you already know that there are a LOT of ways to get a book published these days. I suspected this when I started, but had no idea just how many paths there were. There is an incredibly broad spectrum of publishing, with completely self-published (where you do everything) on one end and a large traditional publisher on the other end. You can find companies/contractors at almost every point on this continuum, and my primary lesson here was to make sure I found the right fit for me.
I wanted to maintain the final say on all things creative (cover, title, layout, etc.) and a large publisher would never have done that. I also wanted help navigating the treacherous waters of printing — something I couldn’t have gotten if I were entirely on my own. So a middle of the road, slightly skewed towards more hands-on, was perfect for me.
LESSON #2: If you want to publish a book, don’t think there is just one or two paths to make it happen. There are many, and you can find the right partners to help you do whatever you need to release your work into the world!
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"The Corporate Way: Hide Everything" on Helios Blog by Josh Allan Dykstra on May 23rd, 2019
Must-See: The Story Of Stuff by Josh Allan Dykstra on May 13th, 2009